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Frenetic Jambū

#d461d4
Notes

Frenetic Jambū (#D461D4) is a true violet with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (300°, 57%, 61%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#d461d4
RGB
rgb(212, 97, 212)
HSL
hsl(300, 57%, 61%)
HWB
hwb(300 38% 17%)
OKLCH
oklch(67.4% 0.199 327.5)
P3
color(display-p3 0.7752 0.4064 0.8091)
HSV
hsv(300, 54%, 83%)
LAB
lab(59.25% 60.39 -38.88)
LCH
lch(59.25% 71.82 327.22)
CMYK
cmyk(0%, 54%, 0%, 17%)

Etymology

Frenetic
adjective

Greek phrenitikós, frenzied — adjectival suffix -ic, derived from phrēn (mind). As a color modifier, frenetic implies a saturated-and-frenzied-and-active quality, the bright color of Hyper-Color-and-Memphis-Group 1980s-design saturated-and-active visual-rhythm. Sits at the bright-and-active end of the grid, parallel to frantic and manic in usage.

Jambū
noun

Sanskrit जम्बू, the rose-apple (Syzygium jambos) — the eponymous fruit of Jambūdvīpa, the Continent of the Jambu Tree in Hindu and Buddhist cosmology, and a stock floral motif in Sanskrit poetry. Jambū color refers to a freshly cut Syzygium jambos drupe: a saturated, slightly cool deep violet with the matte finish of anthocyanin-rich fruit-flesh on the cut surface.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#d461d4
Original
#5585d8
Protanopia
#7a94d1
Deuteranopia
#da6e92
Tritanopia
#828282
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.25:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.46:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##D461D4
Display P3
Display P3
color(display-p3 0.7752 0.4064 0.8091)
P3 has visible headroomOKLCH chroma 0.199

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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