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Smoldering Quilt Rose

#d44f42
Notes

Smoldering Quilt Rose (#D44F42) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (5°, 63%, 55%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#d44f42
RGB
rgb(212, 79, 66)
HSL
hsl(5, 63%, 55%)
HWB
hwb(5 26% 17%)
OKLCH
oklch(60.4% 0.170 28.7)
P3
color(display-p3 0.7707 0.3449 0.2860)
HSV
hsv(5, 69%, 83%)
LAB
lab(51.82% 51.59 35.38)
LCH
lch(51.82% 62.56 34.44)
CMYK
cmyk(0%, 63%, 69%, 17%)

Etymology

Smoldering
adjective

The progressive participle of smolder, to burn slowly without flame. Used as a color word since the late nineteenth century for the deep reds and oranges of barely-flame coal — the warm saturated darks where the heat is internal rather than emitted. Sits in the bold-and-warm corner, slightly less luminous than burning and slightly less calm than rich.

Quilt
modifier

Old French cuilte, padded-cushion. As a color modifier, quilt implies a hand-quilted-padded-textile quality, the visual register of American-and-English-quilt hand-quilted-and-padded patchwork-and-coverlet hand-quilted-and-padded textile surfaces under American-and-English hand-quilted-and-padded textile workshop-light. Sits at the modifier-and-texture end of the grid, parallel to tufted and flock in usage.

Rose
noun

The Latin rosa, the Greek rhodon, the Persian gul — every European language has a different name for the same flower and the same color. Rose covers the spectrum from blush to fuchsia depending on the cultivar, but in pigment shorthand it means a cool, slightly bluish red — the inside of a damask petal, the dye that washes out of madder root.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#d44f42
Original
#736940
Protanopia
#94863e
Deuteranopia
#e8304d
Tritanopia
#6a6a6a
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
4.20:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.00:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##D44F42
Display P3
Display P3
color(display-p3 0.7707 0.3449 0.2860)
P3 has subtle headroomOKLCH chroma 0.170

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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