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Centered Glee Rose

#d4187d
Notes

Centered Glee Rose (#D4187D) is a true magenta with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (328°, 80%, 46%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#d4187d
RGB
rgb(212, 24, 125)
HSL
hsl(328, 80%, 46%)
HWB
hwb(328 9% 17%)
OKLCH
oklch(57.4% 0.225 355.9)
P3
color(display-p3 0.7631 0.1921 0.4830)
HSV
hsv(328, 89%, 83%)
LAB
lab(47.15% 72.64 -6.43)
LCH
lch(47.15% 72.93 354.94)
CMYK
cmyk(0%, 89%, 41%, 17%)

Etymology

Centered
adjective

Latin centrum, center — past-participle of center. As a color modifier, centered implies a saturated-and-grounded-and-balanced quality where the hue occupies the visual center of its palette without drift. Sits at the bold-and-balanced end of the grid, parallel to poised and grounded.

Glee
modifier

Old English glēo, music-or-merriment. As a color modifier, glee implies a singing-and-merry-and-bubbling quality, the visual register of Elizabethan-glee-club-and-madrigal-glee hand-singing-and-merry-and-bubbling Elizabethan-glee-club-and-madrigal-and-catch-singing gleeful-and-singing-and-merry-and-bubbling surfaces under Elizabethan-glee-club-and-madrigal-and-catch-singing parlor-and-tavern-and-court candlelit-music-light. Sits at the modifier-and-mood end of the grid, parallel to mirth and merry in usage.

Rose
noun

The Latin rosa, the Greek rhodon, the Persian gul — every European language has a different name for the same flower and the same color. Rose covers the spectrum from blush to fuchsia depending on the cultivar, but in pigment shorthand it means a cool, slightly bluish red — the inside of a damask petal, the dye that washes out of madder root.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#d4187d
Original
#4a5a7f
Protanopia
#7c7c79
Deuteranopia
#e6004c
Tritanopia
#474747
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
4.97:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.23:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##D4187D
Display P3
Display P3
color(display-p3 0.7631 0.1921 0.4830)
P3 has visible headroomOKLCH chroma 0.225

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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