Veined Carmine
Veined Carmine (#D3BAC7) is a soft magenta with a pastel character. It reads calm and airy, with enough chroma to feel intentional rather than washed out. Its HSL profile (329°, 22%, 78%) places it in the muted band at a light lightness. It works as a background wash, large-area fill, or soft illustration tone. Add a darker ink of the same hue when you need type over it. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Latin vēna, vein — past-participle of vein, sharing root with English vein and venous. As a color modifier, veined implies a pale-and-line-pattern-and-fluid-flow quality, the pale color of Carrara-marble-and-leaf-vein fine-line-pattern-and-fluid-flow natural-stone-and-leaf surface-finish. Sits at the pale-and-soft end of the grid, parallel to marbled and mottled in usage.
The deep red-purple dye extracted from cochineal scale insects (Dactylopius coccus) — harvested in pre-Columbian Mexico and shipped to Europe by the Spanish empire as an export second only to silver. The color refers to fresh carmine pigment in solution: a saturated, slightly cool deep red-purple with the brilliance of a dye thirty times stronger than kermes. Cooler than crimson, warmer than wine, with the colonial-trade weight of a pigment that funded an empire.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.
Wide gamut
The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.
This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.