colors
Back to gallery

Phosphorescent Chiton Goldenrod

#d3a311
Notes

Phosphorescent Chiton Goldenrod (#D3A311) is a true amber with a neon character. It sits at the high-saturation edge of its family. Use it sparingly, as signage, accent, or highlight against darker surfaces. Its HSL profile (45°, 85%, 45%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary blue. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#d3a311
RGB
rgb(211, 163, 17)
HSL
hsl(45, 85%, 45%)
HWB
hwb(45 7% 17%)
OKLCH
oklch(74.0% 0.148 86.8)
P3
color(display-p3 0.7982 0.6466 0.2287)
HSV
hsv(45, 92%, 83%)
LAB
lab(69.53% 6.23 70.70)
LCH
lch(69.53% 70.97 84.97)
CMYK
cmyk(0%, 23%, 92%, 17%)

Etymology

Phosphorescent
adjective

Greek phōsphóros, light-bringer — adjectival suffix -escent. As a color modifier, phosphorescent implies a saturated-and-cool-glow-after-stimulation quality, the bright cool-green-blue color of Cu-doped-ZnS glow-in-the-dark photoluminescent surfaces. Sits at the bright-and-cool end of the grid, parallel to fluorescent and luminous in usage.

Chiton
modifier

Greek χιτών, Hellenic-tunic. As a color modifier, chiton implies a Hellenic-tunic-and-pinned-and-pleated quality, the visual register of Hellenic-Doric-and-Ionic-chiton hand-Hellenic-tunic-and-pinned-and-pleated Hellenic-Doric-and-Ionic-chiton-and-Phidias-Parthenon chiton-and-Hellenic-tunic surfaces under Hellenic-Doric-and-Ionic-chiton-and-Phidias-Parthenon Athenian-Acropolis-and-Hellenic-court Hellenic-tunic-light. Sits at the modifier-and-textile end of the grid, parallel to peplos and tunic in usage.

Goldenrod
noun

Solidago, the late-summer wildflower of North American meadows whose tall sprays of small yellow flowers signal the end of the growing season. The color refers to the flower head at full bloom: a warm, slightly muted yellow-orange with the matte finish of small clustered florets. Cooler than mustard, deeper than dandelion. The state flower of Kentucky and Nebraska, a pollinator magnet, and the original native dye for early American homespun.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#d3a311
Original
#b9a200
Protanopia
#c4af1f
Deuteranopia
#e6938b
Tritanopia
#a3a3a3
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.33:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
9.02:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##D3A311
Display P3
Display P3
color(display-p3 0.7982 0.6466 0.2287)
P3 has subtle headroomOKLCH chroma 0.148

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

Related Colors

Canvas