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Loud Ametrine

#d356d6
Notes

Loud Ametrine (#D356D6) is a true violet with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (299°, 61%, 59%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#d356d6
RGB
rgb(211, 86, 214)
HSL
hsl(299, 61%, 59%)
HWB
hwb(299 34% 16%)
OKLCH
oklch(66.1% 0.216 326.7)
P3
color(display-p3 0.7688 0.3681 0.8153)
HSV
hsv(299, 60%, 84%)
LAB
lab(57.43% 65.33 -42.90)
LCH
lch(57.43% 78.16 326.71)
CMYK
cmyk(1%, 60%, 0%, 16%)

Etymology

Loud
adjective

Old English hlūd, making noise — borrowed metaphorically as a color word since the nineteenth century. Loud red, loud yellow: a color so saturated it announces itself without needing surrounding context. Sits in the bright-bucket extreme alongside electric and striking. Carries a slightly pejorative implication of excess.

Ametrine
noun

Naturally bicolored amethyst-citrine zoned quartz mined principally at the Anahí mine in eastern Bolivia. The deep-violet amethyst portion contrasts with the golden citrine zone in a single crystal. Ametrine color refers to the deep-violet amethyst zone of a polished Anahí-mine ametrine cabochon: a saturated, slightly cool deep violet with the glassy finish of iron-and-aluminum-substituted quartz under reflected light.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#d356d6
Original
#4580da
Protanopia
#7190d2
Deuteranopia
#d9678e
Tritanopia
#7a7a7a
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.46:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.07:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##D356D6
Display P3
Display P3
color(display-p3 0.7688 0.3681 0.8153)
P3 has visible headroomOKLCH chroma 0.216

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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