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Fortified Flare Fuchsia

#d336dd
Notes

Fortified Flare Fuchsia (#D336DD) is a true violet with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (296°, 71%, 54%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#d336dd
RGB
rgb(211, 54, 221)
HSL
hsl(296, 71%, 54%)
HWB
hwb(296 21% 13%)
OKLCH
oklch(63.5% 0.259 325.4)
P3
color(display-p3 0.7626 0.2655 0.8391)
HSV
hsv(296, 76%, 87%)
LAB
lab(53.72% 78.00 -52.75)
LCH
lch(53.72% 94.16 325.93)
CMYK
cmyk(5%, 76%, 0%, 13%)

Etymology

Fortified
adjective

Latin fortificāre, to make strong — past-participle of fortify. As a color modifier, fortified implies a saturated-and-strengthened-and-defensive quality, the deep-rich color of Vauban-style military-fortification stone-and-earth rampart-and-bastion architecture. Sits at the bold-and-fortified end of the grid, parallel to bastioned and armored.

Flare
modifier

Origin obscure, attested c. 1540, to-burn-with-an-unsteady-flame. As a color modifier, flare implies a sudden-and-spreading-and-bright-burst quality, the visual register of signal-flare-and-solar-flare hand-sudden-and-spreading-and-bright-burst signal-flare-and-solar-flare-and-magnesium-distress flared-and-sudden-and-spreading-and-bright surfaces under signal-flare-and-solar-flare-and-magnesium-distress shipboard-and-rescue-and-corona high-intensity-light. Sits at the modifier-and-mood end of the grid, parallel to blaze and flash in usage.

Fuchsia
noun

The genus Fuchsia — South American shrubs named in 1703 for the German botanist Leonhart Fuchs. The color refers to the calyx and tube of a vibrant Fuchsia magellanica hybrid: a saturated, slightly cool deep pink-magenta with the satiny finish of a tubular hummingbird-pollinated flower. Brighter than rose, warmer than orchid, with the bedding-and-basket weight of a plant genus whose flowers gave English the most attention-demanding pink in the spectrum.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#d336dd
Original
#0074e1
Protanopia
#5c87d9
Deuteranopia
#d85589
Tritanopia
#636363
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.93:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.34:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##D336DD
Display P3
Display P3
color(display-p3 0.7626 0.2655 0.8391)
P3 has visible headroomOKLCH chroma 0.259

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

Related Colors

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