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Luminous Diana Goldenrod

#d2a11d
Notes

Luminous Diana Goldenrod (#D2A11D) is a true amber with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (44°, 76%, 47%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary azure. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#d2a11d
RGB
rgb(210, 161, 29)
HSL
hsl(44, 76%, 47%)
HWB
hwb(44 11% 18%)
OKLCH
oklch(73.5% 0.144 85.5)
P3
color(display-p3 0.7938 0.6390 0.2427)
HSV
hsv(44, 86%, 82%)
LAB
lab(68.96% 7.09 67.67)
LCH
lch(68.96% 68.04 84.02)
CMYK
cmyk(0%, 23%, 86%, 18%)

Etymology

Luminous
adjective

Latin lūminōsus, full of light — adjectival suffix -ous, derived from lūmen (light). As a color modifier, luminous implies a saturated-and-light-emitting quality where the hue carries internal-glow visual register. Sits at the bright-and-saturated end of the grid, parallel to radiant and resplendent in usage.

Diana
modifier

Latin Diana, Roman-goddess-of-moon-and-hunt. As a color modifier, diana implies a Roman-goddess-and-moon-and-hunter-and-virgin quality, the visual register of Roman-Diana-and-Ephesian-Artemis hand-Roman-goddess-and-moon-and-hunter-and-virgin Roman-Diana-and-Ephesian-Artemis-and-Lake-Nemi diana-and-Roman-goddess-and-moon-and-hunter surfaces under Roman-Diana-and-Ephesian-Artemis-and-Lake-Nemi Aventine-Hill-and-Nemi-grove moonlit-grove-light. Sits at the modifier-and-myth end of the grid, parallel to luna and hera in usage.

Goldenrod
noun

Solidago, the late-summer wildflower of North American meadows whose tall sprays of small yellow flowers signal the end of the growing season. The color refers to the flower head at full bloom: a warm, slightly muted yellow-orange with the matte finish of small clustered florets. Cooler than mustard, deeper than dandelion. The state flower of Kentucky and Nebraska, a pollinator magnet, and the original native dye for early American homespun.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#d2a11d
Original
#b7a100
Protanopia
#c2ae26
Deuteranopia
#e4918a
Tritanopia
#a2a2a2
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.37:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
8.86:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##D2A11D
Display P3
Display P3
color(display-p3 0.7938 0.6390 0.2427)
P3 has subtle headroomOKLCH chroma 0.144

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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