Manic Vela Goldenrod

Greek manikós, raving / mad — sharing root with mania. As a color modifier, manic implies a saturated-and-overstimulated-and-extreme quality, the bright color of Andy-Warhol-and-Pop-Art late-Pop-Art repeated-and-multiplied portrait color schemes. Sits at the bright-and-active end of the grid, parallel to hyper and frenetic in usage.

Latin vela, sails-of-the-Argo. As a color modifier, vela implies a southern-hemisphere-and-Argo-sail-and-supernova-remnant quality, the visual register of Vela-supernova-remnant-and-Argo-sails hand-southern-hemisphere-and-Argo-sail-and-supernova-remnant Vela-supernova-remnant-and-Argo-sails-and-southern-Milky-Way vela-and-southern-hemisphere-and-Argo-sail surfaces under Vela-supernova-remnant-and-Argo-sails-and-southern-Milky-Way Southern-Cross-and-southern-zenith southern-stellar-light. Sits at the modifier-and-cosmic end of the grid, parallel to cygnus and draco in usage.

Solidago, the late-summer wildflower of North American meadows whose tall sprays of small yellow flowers signal the end of the growing season. The color refers to the flower head at full bloom: a warm, slightly muted yellow-orange with the matte finish of small clustered florets. Cooler than mustard, deeper than dandelion. The state flower of Kentucky and Nebraska, a pollinator magnet, and the original native dye for early American homespun.