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Dominant Flash Rose

#d26472
Notes

Dominant Flash Rose (#D26472) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (352°, 55%, 61%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#d26472
RGB
rgb(210, 100, 114)
HSL
hsl(352, 55%, 61%)
HWB
hwb(352 39% 18%)
OKLCH
oklch(63.9% 0.139 13.9)
P3
color(display-p3 0.7690 0.4163 0.4534)
HSV
hsv(352, 52%, 82%)
LAB
lab(56.12% 44.67 13.07)
LCH
lch(56.12% 46.54 16.31)
CMYK
cmyk(0%, 52%, 46%, 18%)

Etymology

Dominant
adjective

Latin dominārī, to rule — present-participle of dominate. As a color modifier, dominant implies a saturated-and-leading quality where the hue claims visual precedence over neighboring colors in the surrounding palette. Sits at the bold-and-imperative end of the grid, parallel to commanding and authoritative.

Flash
modifier

Middle English flasshen, to-splash-or-burst. As a color modifier, flash implies a sudden-and-bursting-and-bright quality, the visual register of lightning-strike-and-camera-flash hand-sudden-and-bursting-and-bright lightning-strike-and-camera-flash-and-magnesium-powder flashed-and-sudden-and-bursting surfaces under lightning-strike-and-camera-flash-and-magnesium-powder split-second-burst storm-cloud-and-studio-light. Sits at the modifier-and-mood end of the grid, parallel to spark and blaze in usage.

Rose
noun

The Latin rosa, the Greek rhodon, the Persian gul — every European language has a different name for the same flower and the same color. Rose covers the spectrum from blush to fuchsia depending on the cultivar, but in pigment shorthand it means a cool, slightly bluish red — the inside of a damask petal, the dye that washes out of madder root.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#d26472
Original
#7b7972
Protanopia
#978f70
Deuteranopia
#e35669
Tritanopia
#7c7c7c
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.62:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.81:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##D26472
Display P3
Display P3
color(display-p3 0.7690 0.4163 0.4534)
P3 has subtle headroomOKLCH chroma 0.139

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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