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Ostentatious Beam Goldenrod

#d19e11
Notes

Ostentatious Beam Goldenrod (#D19E11) is a true amber with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (44°, 85%, 44%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary azure. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#d19e11
RGB
rgb(209, 158, 17)
HSL
hsl(44, 85%, 44%)
HWB
hwb(44 7% 18%)
OKLCH
oklch(72.8% 0.146 84.7)
P3
color(display-p3 0.7889 0.6276 0.2231)
HSV
hsv(44, 92%, 82%)
LAB
lab(68.06% 8.03 69.50)
LCH
lch(68.06% 69.96 83.41)
CMYK
cmyk(0%, 24%, 92%, 18%)

Etymology

Ostentatious
adjective

Latin ostentātiōnis, display — adjectival suffix -ous, derived from ostendere (to show). As a color modifier, ostentatious implies a saturated-and-attention-demanding-and-elaborate quality, the bright color of Belle-Époque-and-Gilded-Age showy-luxury-display interior-decoration. Sits at the bright-and-flamboyant end of the grid, parallel to flamboyant and showy in usage.

Beam
modifier

Old English bēam, tree-or-ray-of-light. As a color modifier, beam implies a focused-and-shaft-of-light quality, the visual register of lighthouse-and-cathedral-clerestory-beam hand-focused-and-shaft-of-light lighthouse-and-cathedral-clerestory-and-search-light beamed-and-focused-and-shaft-of-light surfaces under lighthouse-and-cathedral-clerestory-and-search-light coastal-headland-and-Gothic-nave-and-night-sky directed-light. Sits at the modifier-and-mood end of the grid, parallel to ray and gleam in usage.

Goldenrod
noun

Solidago, the late-summer wildflower of North American meadows whose tall sprays of small yellow flowers signal the end of the growing season. The color refers to the flower head at full bloom: a warm, slightly muted yellow-orange with the matte finish of small clustered florets. Cooler than mustard, deeper than dandelion. The state flower of Kentucky and Nebraska, a pollinator magnet, and the original native dye for early American homespun.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#d19e11
Original
#b49e00
Protanopia
#c0ab1d
Deuteranopia
#e48e87
Tritanopia
#9f9f9f
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.44:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
8.61:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##D19E11
Display P3
Display P3
color(display-p3 0.7889 0.6276 0.2231)
P3 has subtle headroomOKLCH chroma 0.146

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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