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Neon Ether Goldenrod

#d1912c
Notes

Neon Ether Goldenrod (#D1912C) is a true amber with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (37°, 65%, 50%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary azure. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#d1912c
RGB
rgb(209, 145, 44)
HSL
hsl(37, 65%, 50%)
HWB
hwb(37 17% 18%)
OKLCH
oklch(70.4% 0.134 73.7)
P3
color(display-p3 0.7825 0.5793 0.2584)
HSV
hsv(37, 79%, 82%)
LAB
lab(64.96% 15.73 59.45)
LCH
lch(64.96% 61.50 75.18)
CMYK
cmyk(0%, 31%, 79%, 18%)

Etymology

Neon
adjective

Greek néon, new — element-name (atomic-number 10), discovered by William Ramsay in 1898. As a color modifier, neon implies a saturated-and-electric-glow quality, the bright color of Las-Vegas-and-Times-Square neon-marquee gas-discharge-tube emission. Sits at the bright-and-electric end of the grid, parallel to electric and fluorescent in usage.

Ether
modifier

Greek αἰθήρ, upper-air-or-quintessence. As a color modifier, ether implies a luminiferous-and-pure-upper-air quality, the visual register of Aristotelian-quintessence-and-luminiferous-ether hand-luminiferous-and-pure-upper-air Aristotelian-quintessence-and-luminiferous-and-Newtonian ether-and-luminiferous-and-pure-upper-air surfaces under Aristotelian-quintessence-and-luminiferous-and-Newtonian celestial-spheres-and-natural-philosophy upper-air-light. Sits at the modifier-and-cosmic end of the grid, parallel to plasma and nebula in usage.

Goldenrod
noun

Solidago, the late-summer wildflower of North American meadows whose tall sprays of small yellow flowers signal the end of the growing season. The color refers to the flower head at full bloom: a warm, slightly muted yellow-orange with the matte finish of small clustered florets. Cooler than mustard, deeper than dandelion. The state flower of Kentucky and Nebraska, a pollinator magnet, and the original native dye for early American homespun.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#d1912c
Original
#a8941a
Protanopia
#b7a430
Deuteranopia
#e4807d
Tritanopia
#979797
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.69:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
7.80:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##D1912C
Display P3
Display P3
color(display-p3 0.7825 0.5793 0.2584)
P3 has subtle headroomOKLCH chroma 0.134

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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