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Smoldering Tooled Rose

#d16370
Notes

Smoldering Tooled Rose (#D16370) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (353°, 54%, 60%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#d16370
RGB
rgb(209, 99, 112)
HSL
hsl(353, 54%, 60%)
HWB
hwb(353 39% 18%)
OKLCH
oklch(63.6% 0.139 14.6)
P3
color(display-p3 0.7652 0.4125 0.4460)
HSV
hsv(353, 53%, 82%)
LAB
lab(55.74% 44.61 13.68)
LCH
lch(55.74% 46.67 17.05)
CMYK
cmyk(0%, 53%, 46%, 18%)

Etymology

Smoldering
adjective

The progressive participle of smolder, to burn slowly without flame. Used as a color word since the late nineteenth century for the deep reds and oranges of barely-flame coal — the warm saturated darks where the heat is internal rather than emitted. Sits in the bold-and-warm corner, slightly less luminous than burning and slightly less calm than rich.

Tooled
modifier

Old French tōl, implement. As a color modifier, tooled implies a hand-worked-and-detailed quality, the visual register of Renaissance-and-Florentine-tooled-leather hand-worked-and-stamped-and-engraved tooled-leather-and-bookbinding-and-saddle-and-belt hand-worked surfaces under Renaissance-and-Florentine hand-tooled-leather workshop-light. Sits at the modifier-and-texture end of the grid, parallel to carved and inlaid in usage.

Rose
noun

The Latin rosa, the Greek rhodon, the Persian gul — every European language has a different name for the same flower and the same color. Rose covers the spectrum from blush to fuchsia depending on the cultivar, but in pigment shorthand it means a cool, slightly bluish red — the inside of a damask petal, the dye that washes out of madder root.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#d16370
Original
#7a7870
Protanopia
#968e6e
Deuteranopia
#e25568
Tritanopia
#7b7b7b
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.67:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.73:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##D16370
Display P3
Display P3
color(display-p3 0.7652 0.4125 0.4460)
P3 has subtle headroomOKLCH chroma 0.139

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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