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Sparkling Brindisi

#d157dc
Notes

Sparkling Brindisi (#D157DC) is a true violet with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (295°, 66%, 60%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#d157dc
RGB
rgb(209, 87, 220)
HSL
hsl(295, 66%, 60%)
HWB
hwb(295 34% 14%)
OKLCH
oklch(66.2% 0.219 324.3)
P3
color(display-p3 0.7619 0.3708 0.8376)
HSV
hsv(295, 60%, 86%)
LAB
lab(57.60% 65.46 -46.03)
LCH
lch(57.60% 80.03 324.89)
CMYK
cmyk(5%, 60%, 0%, 14%)

Etymology

Sparkling
adjective

Old English spearca, spark — present-participle of sparkle. As a color modifier, sparkling implies a saturated-and-multi-point-reflective-and-effervescent quality, the bright color of Champagne-and-Prosecco effervescent-wine carbonation-bubble-light reflection. Sits at the bright-and-reflective end of the grid, parallel to glittering and fizzy in usage.

Brindisi
noun

Italian Adriatic port city — once the Roman Brundisium, terminus of the Via Appia, and a major Phoenician-and-Roman purpura shellfish-dye production center. Brindisi color refers to a Brindisi-dyed Roman toga praetexta with its purple-edged border: a saturated, slightly cool deep violet with the matte finish of multi-bath murex-shellfish dye on multi-rolled woolen toga fabric.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#d157dc
Original
#4081e0
Protanopia
#6d8fd8
Deuteranopia
#d56a92
Tritanopia
#7b7b7b
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.44:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.11:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##D157DC
Display P3
Display P3
color(display-p3 0.7619 0.3708 0.8376)
P3 has visible headroomOKLCH chroma 0.219

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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