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Conquering Spark Ruby

#d11947
Notes

Conquering Spark Ruby (#D11947) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (345°, 79%, 46%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#d11947
RGB
rgb(209, 25, 71)
HSL
hsl(345, 79%, 46%)
HWB
hwb(345 10% 18%)
OKLCH
oklch(55.5% 0.211 15.8)
P3
color(display-p3 0.7523 0.1917 0.2912)
HSV
hsv(345, 88%, 82%)
LAB
lab(45.23% 67.89 24.19)
LCH
lch(45.23% 72.07 19.61)
CMYK
cmyk(0%, 88%, 66%, 18%)

Etymology

Conquering
adjective

Latin conquīrere, to seek thoroughly — present-participle of conquer. As a color modifier, conquering implies a saturated-and-overwhelming-and-victorious quality where the hue overcomes neighboring colors through pure pigmentation strength. Sits at the bold-and-celebratory end of the grid, parallel to triumphant and dominant.

Spark
modifier

Old English spearca, small-ember. As a color modifier, spark implies a small-bright-and-flying-ember quality, the visual register of blacksmith-anvil-and-bonfire-spark hand-small-bright-and-flying-ember blacksmith-anvil-and-bonfire-and-flint-strike sparked-and-small-bright-and-flying surfaces under blacksmith-anvil-and-bonfire-and-flint-strike orange-glow-and-iron-and-flint forge-and-hearth-light. Sits at the modifier-and-mood end of the grid, parallel to flash and flare in usage.

Ruby
noun

From the Latin ruber — simply, red. The gemstone is a chromium-tinged corundum, harder than anything in nature except diamond, and so saturated that a fine Burmese pigeon's blood ruby at auction outpaces a comparable diamond by weight. The color borrows the gem's confidence: a clear, glassy red without the brown of garnet or the blue of crimson.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#d11947
Original
#575347
Protanopia
#837842
Deuteranopia
#e6002f
Tritanopia
#434343
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.33:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.94:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##D11947
Display P3
Display P3
color(display-p3 0.7523 0.1917 0.2912)
P3 has visible headroomOKLCH chroma 0.211

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

Related Colors

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