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Knightly Sufi Crimson

#d10685
Notes

Knightly Sufi Crimson (#D10685) is a true magenta with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (322°, 94%, 42%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#d10685
RGB
rgb(209, 6, 133)
HSL
hsl(322, 94%, 42%)
HWB
hwb(322 2% 18%)
OKLCH
oklch(56.7% 0.233 351.8)
P3
color(display-p3 0.7514 0.1638 0.5112)
HSV
hsv(322, 97%, 82%)
LAB
lab(46.15% 74.76 -12.88)
LCH
lch(46.15% 75.86 350.23)
CMYK
cmyk(0%, 97%, 36%, 18%)

Etymology

Knightly
adjective

Old English cniht, young man / knight — adjectival suffix -ly. As a color modifier, knightly implies a saturated-and-chivalrous-and-medieval quality, the deep-rich color of medieval-English-and-French knight-and-squire armorial-bearings-and-livery tradition. Sits at the bold-and-chivalrous end of the grid, parallel to gallant and cavalier.

Sufi
modifier

Arabic صوفي, Sufi. As a color modifier, sufi implies a Whirling-Dervish-and-mystical-Islamic quality, the visual register of Persian-and-Anatolian-Sufi Sufi hand-woven robe-and-felt-cap-and-whirling-dance Sufi-mystical-Islamic surfaces under Konya-and-Persian Sufi-Whirling-Dervish ceremonial-robe candlelight. Sits at the modifier-and-cultural end of the grid, parallel to zen and tao in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#d10685
Original
#405887
Protanopia
#767981
Deuteranopia
#e2004e
Tritanopia
#3a3a3a
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.15:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.08:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##D10685
Display P3
Display P3
color(display-p3 0.7514 0.1638 0.5112)
P3 has visible headroomOKLCH chroma 0.233

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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