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Balanced Past Mint

#d0ffd8
Notes

Balanced Past Mint (#D0FFD8) is a soft green with a pastel character. It reads calm and airy, with enough chroma to feel intentional rather than washed out. Its HSL profile (130°, 100%, 91%) places it in the highly saturated band at a light lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary magenta. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#d0ffd8
RGB
rgb(208, 255, 216)
HSL
hsl(130, 100%, 91%)
HWB
hwb(130 82% 0%)
OKLCH
oklch(95.7% 0.071 149.9)
P3
color(display-p3 0.8523 0.9946 0.8588)
HSV
hsv(130, 18%, 100%)
LAB
lab(95.95% -22.23 13.76)
LCH
lch(95.95% 26.14 148.24)
CMYK
cmyk(18%, 0%, 15%, 0%)

Etymology

Balanced
adjective

The past participle of balance, to weigh evenly. Used as a color modifier since the eighteenth century for hues that read as neither overcommitted nor restrained. Balanced sage, balanced taupe: moderate saturation combined with optical equilibrium. Sits at the crisp-bucket center alongside even.

Past
modifier

Old English passed, gone-by. As a color modifier, past implies a memory-and-faded-time quality, the visual register of vintage-and-period multi-decade faded-and-storied memory-laden period-correct-faded surfaces under multi-decade faded-and-storied period light. Sits at the modifier-and-time end of the grid, parallel to yore and eld in usage.

Mint
noun

The genus Mentha — peppermint, spearmint, apple mint, water mint — the cooling herb whose menthol gives it that quality at the molecular level. The color refers to fresh peppermint leaves before drying: a clean, slightly cool green with the matte finish of trichome-rich leaf surface. Lighter than basil, cooler than parsley, with the mojito-and-Pimm's association of a herb tied to summer drinks across two continents.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#d0ffd8
Original
#fff7d6
Protanopia
#f8f1da
Deuteranopia
#cafdf4
Tritanopia
#f2f2f2
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.11:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
18.98:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##D0FFD8
Display P3
Display P3
color(display-p3 0.8523 0.9946 0.8588)
Inside sRGBOKLCH chroma 0.071

This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.

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