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Shimmering Gloam Chartreuse

#d0cf3a
Notes

Shimmering Gloam Chartreuse (#D0CF3A) is a true yellow with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (60°, 61%, 52%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary blue. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#d0cf3a
RGB
rgb(208, 207, 58)
HSL
hsl(60, 61%, 52%)
HWB
hwb(60 23% 18%)
OKLCH
oklch(83.0% 0.162 109.1)
P3
color(display-p3 0.8150 0.8119 0.3397)
HSV
hsv(60, 72%, 82%)
LAB
lab(80.93% -16.63 69.46)
LCH
lch(80.93% 71.42 103.47)
CMYK
cmyk(0%, 0%, 72%, 18%)

Etymology

Shimmering
adjective

Old English scimerian, to glisten — present-participle of shimmer, sharing root with shine. As a color modifier, shimmering implies a saturated-and-soft-flicker-reflective quality, the bright color of moonlit-water-and-silken-fabric surface-reflection. Sits at the bright-and-reflective end of the grid, parallel to glistening and glimmering in usage.

Gloam
modifier

Old English glōm, twilight-or-dusk. As a color modifier, gloam implies a twilight-and-half-light-and-fading quality, the visual register of Scottish-Border-and-Hebridean-gloam hand-twilight-and-half-light-and-fading Scottish-Border-and-Hebridean-and-Orkney gloamed-and-twilight-and-fading surfaces under Scottish-Border-and-Hebridean-and-Orkney long-northern-twilight-and-blue-hour gloaming-and-twilight light. Sits at the modifier-and-mood end of the grid, parallel to dusk and shade in usage.

Chartreuse
noun

The yellow-green French liqueur made by Carthusian monks at the Grande Chartreuse monastery since 1737, from a recipe of 130 herbs known to only two living monks at any time. The color is the base spirit chartreuse jaune in a glass: a saturated, slightly green yellow that's brighter than lemon and warmer than lime. The liqueur gave the color its name, not the other way around.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#d0cf3a
Original
#e0c61d
Protanopia
#e2cb45
Deuteranopia
#dfc2b2
Tritanopia
#c4c4c4
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.66:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
12.67:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##D0CF3A
Display P3
Display P3
color(display-p3 0.8150 0.8119 0.3397)
P3 has subtle headroomOKLCH chroma 0.162

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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