Cellophane Coquelicot
Cellophane Coquelicot (#D0ABB2) is a soft red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (349°, 28%, 74%) places it in the muted band at a light lightness. It works as a background wash, large-area fill, or soft illustration tone. Add a darker ink of the same hue when you need type over it. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Modern French cellophane, cellulose-thin-film — coined in 1900 by Jacques-E.-Brandenberger. As a color modifier, cellophane implies a pale-and-clear-and-thin-film quality, the pale color of Mid-Century-Modern clear-and-thin cellulose-acetate cellophane-wrapping translucent-film surface. Sits at the pale-and-thin end of the grid, parallel to glassine and tissue in usage.
The French word for poppy — Papaver rhoeas — the wild red flower of European cereal fields and the unifying flower of French Impressionist painting (especially Monet's Coquelicots, Argenteuil). The color refers to a freshly opened poppy in a Provençal field: a saturated, slightly cool red with the satin finish of single-day petal. Brighter than scarlet, slightly cooler than tomato.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.
Wide gamut
The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.
This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.