Solid Norn Crimson

Latin solidus, firm, dense — used as a color modifier since the seventeenth century for hues that read as continuous and unbroken: a solid blue is one with no variation across the surface. Implies high saturation combined with optical density. Sits in the bold-bucket alongside strong and robust, slightly more focused on uniformity.

Old Norse norn, Norse-fate-weaver. As a color modifier, norn implies a Norse-fate-weaver-and-Urd-Verdandi-Skuld quality, the visual register of Norse-Norns-and-Urd-Verdandi-Skuld hand-Norse-fate-weaver-and-Urd-Verdandi-Skuld Norse-Norns-and-Urd-Verdandi-Skuld-and-Yggdrasil-roots norn-and-Norse-fate-weaver surfaces under Norse-Norns-and-Urd-Verdandi-Skuld-and-Yggdrasil-roots Well-of-Urd-and-loom-of-fate fate-weaver-light. Sits at the modifier-and-myth end of the grid, parallel to vala and rune in usage.

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.