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Marbled Jīnhuáng

#cfcbaa
Notes

Marbled Jīnhuáng (#CFCBAA) is a soft amber with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (54°, 28%, 74%) places it in the muted band at a light lightness. It works as a background wash, large-area fill, or soft illustration tone. Add a darker ink of the same hue when you need type over it. For a confident two-color system, pair it with its complementary blue. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#cfcbaa
RGB
rgb(207, 203, 170)
HSL
hsl(54, 28%, 74%)
HWB
hwb(54 67% 19%)
OKLCH
oklch(83.7% 0.045 101.6)
P3
color(display-p3 0.8090 0.7966 0.6799)
HSV
hsv(54, 18%, 81%)
LAB
lab(81.23% -4.08 16.99)
LCH
lch(81.23% 17.48 103.52)
CMYK
cmyk(0%, 2%, 18%, 19%)

Etymology

Marbled
adjective

Latin marmor, marble — past-participle of marble, sharing root with Greek mármaros. As a color modifier, marbled implies a pale-and-veined-and-irregularly-flowed quality, the pale color of Carrara-Italian-marble-and-Florentine-paper irregularly-veined-and-flowed natural-stone-and-decorative-paper surface-finish. Sits at the pale-and-soft end of the grid, parallel to veined and mottled in usage.

Jīnhuáng
noun

Chinese for gold-yellow — combining jīn (gold) and huáng (yellow). Used in the imperial-yellow silks of late Qing dynasty court robes and the gilt-and-yellow lacquer of Buddhist altarpieces. The color refers to jīnhuáng-glazed Yongzheng-period porcelain: a saturated, slightly cool deep gold-yellow with the high gloss of fired glaze.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#cfcbaa
Original
#d2c9a8
Protanopia
#d3cbab
Deuteranopia
#d5c6c2
Tritanopia
#c9c9c9
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.64:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
12.78:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##CFCBAA
Display P3
Display P3
color(display-p3 0.8090 0.7966 0.6799)
Inside sRGBOKLCH chroma 0.045

This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.

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