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Smoldering Sagittarius Ruby

#cf1e51
Notes

Smoldering Sagittarius Ruby (#CF1E51) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (343°, 75%, 46%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#cf1e51
RGB
rgb(207, 30, 81)
HSL
hsl(343, 75%, 46%)
HWB
hwb(343 12% 19%)
OKLCH
oklch(55.5% 0.207 12.4)
P3
color(display-p3 0.7455 0.2005 0.3255)
HSV
hsv(343, 86%, 81%)
LAB
lab(45.35% 67.01 18.07)
LCH
lch(45.35% 69.40 15.10)
CMYK
cmyk(0%, 86%, 61%, 19%)

Etymology

Smoldering
adjective

The progressive participle of smolder, to burn slowly without flame. Used as a color word since the late nineteenth century for the deep reds and oranges of barely-flame coal — the warm saturated darks where the heat is internal rather than emitted. Sits in the bold-and-warm corner, slightly less luminous than burning and slightly less calm than rich.

Sagittarius
modifier

Latin sagittarius, archer-of-the-zodiac. As a color modifier, sagittarius implies a centaur-archer-and-fire-sign-and-Jupiter-ruled-mutable-fire quality, the visual register of Hellenic-Sagittarius-and-Chiron-centaur-archer hand-centaur-archer-and-fire-sign-and-Jupiter-ruled-mutable-fire Hellenic-Sagittarius-and-Chiron-centaur-archer-and-galactic-center sagittarius-and-centaur-archer-and-fire-sign surfaces under Hellenic-Sagittarius-and-Chiron-centaur-archer-and-galactic-center late-autumn-and-November-and-December mutable-fire-sign-light. Sits at the modifier-and-zodiac end of the grid, parallel to scorpio and capricorn in usage.

Ruby
noun

From the Latin ruber — simply, red. The gemstone is a chromium-tinged corundum, harder than anything in nature except diamond, and so saturated that a fine Burmese pigeon's blood ruby at auction outpaces a comparable diamond by weight. The color borrows the gem's confidence: a clear, glassy red without the brown of garnet or the blue of crimson.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#cf1e51
Original
#555552
Protanopia
#82784c
Deuteranopia
#e30036
Tritanopia
#474747
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.31:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.96:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##CF1E51
Display P3
Display P3
color(display-p3 0.7455 0.2005 0.3255)
P3 has visible headroomOKLCH chroma 0.207

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

Related Colors

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