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Showy Blank Goldenrod

#ce7817
Notes

Showy Blank Goldenrod (#CE7817) is a true orange with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (32°, 80%, 45%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary azure. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#ce7817
RGB
rgb(206, 120, 23)
HSL
hsl(32, 80%, 45%)
HWB
hwb(32 9% 19%)
OKLCH
oklch(65.3% 0.145 61.2)
P3
color(display-p3 0.7617 0.4869 0.1962)
HSV
hsv(32, 89%, 81%)
LAB
lab(58.62% 27.38 60.83)
LCH
lch(58.62% 66.71 65.77)
CMYK
cmyk(0%, 42%, 89%, 19%)

Etymology

Showy
adjective

Old English scēawian, to look at — adjectival suffix -y. As a color modifier, showy implies a saturated-and-attention-grabbing quality, the bright color of Las-Vegas-and-Broadway neon-and-marquee theatrical-display lighting. Sits at the bright-and-flamboyant end of the grid, parallel to flamboyant and splashy in usage.

Blank
modifier

Old French blanc, white-or-empty. As a color modifier, blank implies an unmarked-and-empty-and-pristine quality, the visual register of fresh-page-and-primed-canvas-blank hand-unmarked-and-empty-and-pristine fresh-page-and-primed-canvas-and-white-room blanked-and-unmarked-and-empty-and-pristine surfaces under fresh-page-and-primed-canvas-and-white-room studio-and-stationer-and-gallery untouched-light. Sits at the modifier-and-mood end of the grid, parallel to void and hollow in usage.

Goldenrod
noun

Solidago, the late-summer wildflower of North American meadows whose tall sprays of small yellow flowers signal the end of the growing season. The color refers to the flower head at full bloom: a warm, slightly muted yellow-orange with the matte finish of small clustered florets. Cooler than mustard, deeper than dandelion. The state flower of Kentucky and Nebraska, a pollinator magnet, and the original native dye for early American homespun.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#ce7817
Original
#938100
Protanopia
#a79518
Deuteranopia
#e26467
Tritanopia
#838383
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.32:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.32:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##CE7817
Display P3
Display P3
color(display-p3 0.7617 0.4869 0.1962)
P3 has subtle headroomOKLCH chroma 0.145

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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