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Buttressed Nap Rose

#ce6273
Notes

Buttressed Nap Rose (#CE6273) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (351°, 52%, 60%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#ce6273
RGB
rgb(206, 98, 115)
HSL
hsl(351, 52%, 60%)
HWB
hwb(351 38% 19%)
OKLCH
oklch(63.1% 0.137 12.0)
P3
color(display-p3 0.7543 0.4080 0.4559)
HSV
hsv(351, 52%, 81%)
LAB
lab(55.17% 44.35 11.07)
LCH
lch(55.17% 45.71 14.01)
CMYK
cmyk(0%, 52%, 44%, 19%)

Etymology

Buttressed
adjective

Old French bouterez, thrusting-mass — past-participle of buttress, derived from bouter (to thrust). As a color modifier, buttressed implies a saturated-and-architecturally-supported quality, the deep-rich color of Gothic-Cathedral flying-buttress-and-rib-vault stone-architecture. Sits at the bold-and-fortified end of the grid, parallel to fortified and reinforced.

Nap
modifier

Old English hnoppa, short-fluff-on-cloth. As a color modifier, nap implies a short-fluff-on-cloth-surface quality, the visual register of brushed-flannel-and-velveteen-nap hand-brushed-and-raised short-fluff-on-cloth-surface flannel-and-velveteen-and-felt-nap surfaces under brushed-flannel-and-velveteen-nap textile-light. Sits at the modifier-and-texture end of the grid, parallel to pile and fluff in usage.

Rose
noun

The Latin rosa, the Greek rhodon, the Persian gul — every European language has a different name for the same flower and the same color. Rose covers the spectrum from blush to fuchsia depending on the cultivar, but in pigment shorthand it means a cool, slightly bluish red — the inside of a damask petal, the dye that washes out of madder root.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#ce6273
Original
#787773
Protanopia
#938c71
Deuteranopia
#df5568
Tritanopia
#7a7a7a
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.74:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.62:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##CE6273
Display P3
Display P3
color(display-p3 0.7543 0.4080 0.4559)
P3 has subtle headroomOKLCH chroma 0.137

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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