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Glittering Kompot

#ce61bc
Notes

Glittering Kompot (#CE61BC) is a true magenta with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (310°, 53%, 59%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#ce61bc
RGB
rgb(206, 97, 188)
HSL
hsl(310, 53%, 59%)
HWB
hwb(310 38% 19%)
OKLCH
oklch(65.5% 0.175 334.1)
P3
color(display-p3 0.7540 0.4045 0.7201)
HSV
hsv(310, 53%, 81%)
LAB
lab(57.37% 54.67 -28.22)
LCH
lch(57.37% 61.52 332.70)
CMYK
cmyk(0%, 53%, 9%, 19%)

Etymology

Glittering
adjective

Old Norse glitra, to shine — present-participle of glitter. As a color modifier, glittering implies a saturated-and-multi-point-reflective quality, the bright color of sequined-and-rhinestone fabric-and-gem-decoration surfaces. Sits at the bright-and-reflective end of the grid, parallel to sparkling and glistening in usage.

Kompot
noun

Polish-Russian-Ukrainian kompot — a fruit-based clear-broth drink made from cooked stone-fruit, currants, raspberries, and sour cherries in a deep-magenta liquor. Kompot color refers to a freshly cooled bowl of Polish-Catholic-Lent kompot with floating stone-fruit halves: a saturated, slightly cool deep magenta with the matte finish of anthocyanin-rich mixed-fruit broth in a clear-glass jar.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#ce61bc
Original
#6080bf
Protanopia
#8090b9
Deuteranopia
#d66886
Tritanopia
#7f7f7f
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.47:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.06:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##CE61BC
Display P3
Display P3
color(display-p3 0.7540 0.4045 0.7201)
P3 has subtle headroomOKLCH chroma 0.175

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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