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Buzzing Hashita

#cd72f4
Notes

Buzzing Hashita (#CD72F4) is a true violet with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (282°, 86%, 70%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#cd72f4
RGB
rgb(205, 114, 244)
HSL
hsl(282, 86%, 70%)
HWB
hwb(282 45% 4%)
OKLCH
oklch(70.4% 0.200 314.7)
P3
color(display-p3 0.7560 0.4649 0.9291)
HSV
hsv(282, 53%, 96%)
LAB
lab(62.97% 56.47 -50.96)
LCH
lch(62.97% 76.06 317.94)
CMYK
cmyk(16%, 53%, 0%, 4%)

Etymology

Buzzing
adjective

The progressive participle of buzz — borrowed metaphorically as a color word since the late twentieth century for hues that read as visually loud and slightly destabilizing. Buzzing yellow, buzzing magenta: the implication is saturation pushed past comfortable into the realm of optical agitation. Sits at the bright-bucket extreme alongside electric.

Hashita
noun

Japanese 半色, half-color — the technical Heian-court term for any kasane layer combination yielding a specific hue rather than a primary one. Hashita color refers to a Heian-period hashita-iro combination of a single-bath gromwell-and-indigo: a saturated, slightly cool deep violet with the silk luster of layered single-bath natural dye on hand-spun silk crepe.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#cd72f4
Original
#5293f8
Protanopia
#709bf1
Deuteranopia
#ca87a9
Tritanopia
#8f8f8f
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.87:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
7.31:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##CD72F4
Display P3
Display P3
color(display-p3 0.7560 0.4649 0.9291)
P3 has visible headroomOKLCH chroma 0.200

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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