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Resolute Roselle

#cd2e59
Notes

Resolute Roselle (#CD2E59) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (344°, 63%, 49%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#cd2e59
RGB
rgb(205, 46, 89)
HSL
hsl(344, 63%, 49%)
HWB
hwb(344 18% 20%)
OKLCH
oklch(56.4% 0.194 10.9)
P3
color(display-p3 0.7399 0.2393 0.3548)
HSV
hsv(344, 78%, 80%)
LAB
lab(46.52% 63.04 14.65)
LCH
lch(46.52% 64.72 13.09)
CMYK
cmyk(0%, 78%, 57%, 20%)

Etymology

Resolute
adjective

From the Latin resolutus, unwavering — used as a color modifier in literary contexts for hues that read as committed and unmoving. Resolute blue, resolute green: the saturation is full, the hue holds its position without shifting under different light. Sits in the bold-bucket center alongside strong and true, with slightly more focus on stability than presence.

Roselle
noun

Hibiscus sabdariffa, the tropical hibiscus whose dried calyxes brew the deep red sorrel tea sold across West Africa as bissap, in Egypt as karkadeh, and in the Caribbean as sorrel. The color refers to fresh roselle calyxes in hot water: a saturated, slightly cool deep red-pink with the optical complexity of anthocyanin-rich plant material. Cooler than coral.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#cd2e59
Original
#5a5a5a
Protanopia
#827a55
Deuteranopia
#e00041
Tritanopia
#535353
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.08:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.13:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##CD2E59
Display P3
Display P3
color(display-p3 0.7399 0.2393 0.3548)
P3 has visible headroomOKLCH chroma 0.194

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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