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Adamant Merry Ruby

#cd1d4a
Notes

Adamant Merry Ruby (#CD1D4A) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (345°, 75%, 46%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#cd1d4a
RGB
rgb(205, 29, 74)
HSL
hsl(345, 75%, 46%)
HWB
hwb(345 11% 20%)
OKLCH
oklch(55.0% 0.205 14.6)
P3
color(display-p3 0.7382 0.1969 0.3009)
HSV
hsv(345, 86%, 80%)
LAB
lab(44.74% 66.29 21.54)
LCH
lch(44.74% 69.70 18.00)
CMYK
cmyk(0%, 86%, 64%, 20%)

Etymology

Adamant
adjective

Greek adámas, unconquerable — derived from a- (not) plus damnan (to subdue). As a color modifier, adamant implies a saturated-and-rock-hard quality where the hue maintains diamond-hard pigmentation. Sits at the bold-and-resilient end of the grid, parallel to indomitable and ironclad in usage.

Merry
modifier

Old English myrige, pleasant-and-glad. As a color modifier, merry implies a glad-and-bright-and-festive quality, the visual register of Robin-Hood-Merry-Men-and-Maytime-merry hand-glad-and-bright-and-festive Robin-Hood-Merry-Men-and-Maytime-and-village-fair merried-and-glad-and-bright-and-festive surfaces under Robin-Hood-Merry-Men-and-Maytime-and-village-fair Sherwood-Forest-and-Mayday-and-Whitsun greenwood-festival-light. Sits at the modifier-and-mood end of the grid, parallel to jolly and blithe in usage.

Ruby
noun

From the Latin ruber — simply, red. The gemstone is a chromium-tinged corundum, harder than anything in nature except diamond, and so saturated that a fine Burmese pigeon's blood ruby at auction outpaces a comparable diamond by weight. The color borrows the gem's confidence: a clear, glassy red without the brown of garnet or the blue of crimson.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#cd1d4a
Original
#55534a
Protanopia
#817645
Deuteranopia
#e10032
Tritanopia
#464646
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.43:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.87:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##CD1D4A
Display P3
Display P3
color(display-p3 0.7382 0.1969 0.3009)
P3 has visible headroomOKLCH chroma 0.205

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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