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Searing Suo

#cc6ca7
Notes

Searing Suo (#CC6CA7) is a true magenta with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (323°, 48%, 61%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#cc6ca7
RGB
rgb(204, 108, 167)
HSL
hsl(323, 48%, 61%)
HWB
hwb(323 42% 20%)
OKLCH
oklch(65.9% 0.140 343.9)
P3
color(display-p3 0.7505 0.4430 0.6445)
HSV
hsv(323, 47%, 80%)
LAB
lab(58.37% 45.30 -14.62)
LCH
lch(58.37% 47.60 342.11)
CMYK
cmyk(0%, 47%, 18%, 20%)

Etymology

Searing
adjective

Old English sēarian, to wither — present-participle of sear. As a color modifier, searing implies a saturated-and-burning-touch-hot quality, the bright color of cast-iron-griddle high-heat surface-emission. Sits at the bright-and-warm end of the grid, parallel to scorching and blazing in usage.

Suo
noun

Japanese 蘇芳, sappan-wood dye (Caesalpinia sappan) — derived from a Southeast Asian tree's heartwood, imported to Japan since the Nara period (710–794) for dyeing court robes a deep red-purple. Suo color refers to a suo-dyed Heian-period silk kinu: a saturated, slightly cool deep magenta with the silk luster of multi-bath sappan-wood dye on tussah silk. Distinct from akane (madder) and beni (safflower).

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#cc6ca7
Original
#7383a9
Protanopia
#8c92a4
Deuteranopia
#d76c82
Tritanopia
#858585
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.35:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.27:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##CC6CA7
Display P3
Display P3
color(display-p3 0.7505 0.4430 0.6445)
P3 has subtle headroomOKLCH chroma 0.140

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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