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Sumptuous Castor Rose

#cc6072
Notes

Sumptuous Castor Rose (#CC6072) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (350°, 51%, 59%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#cc6072
RGB
rgb(204, 96, 114)
HSL
hsl(350, 51%, 59%)
HWB
hwb(350 38% 20%)
OKLCH
oklch(62.5% 0.138 11.5)
P3
color(display-p3 0.7467 0.4004 0.4517)
HSV
hsv(350, 53%, 80%)
LAB
lab(54.47% 44.53 10.62)
LCH
lch(54.47% 45.78 13.42)
CMYK
cmyk(0%, 53%, 44%, 20%)

Etymology

Sumptuous
adjective

Latin sūmptuōsus, expensive — derived from sūmptus (expense). As a color modifier, sumptuous implies a saturated-and-rich-and-luxurious quality, the deep-rich color of Burgundy-and-Champagne-Court late-medieval silk-and-velvet livery in the Très-Riches-Heures manuscript tradition. Sits at the bold-and-saturated end of the grid, parallel to opulent and lavish.

Castor
modifier

Greek Κάστωρ, Gemini-twin-and-horseman. As a color modifier, castor implies a Gemini-twin-and-mortal-brother quality, the visual register of Gemini-Castor-and-Pollux-twin hand-Gemini-twin-and-mortal-brother Gemini-Castor-and-Pollux-twin-and-Argonaut castor-and-Gemini-twin-and-mortal-brother surfaces under Gemini-Castor-and-Pollux-twin-and-Argonaut spring-Gemini-and-Bortle-1-sky stellar-twin-light. Sits at the modifier-and-cosmic end of the grid, parallel to pollux and spica in usage.

Rose
noun

The Latin rosa, the Greek rhodon, the Persian gul — every European language has a different name for the same flower and the same color. Rose covers the spectrum from blush to fuchsia depending on the cultivar, but in pigment shorthand it means a cool, slightly bluish red — the inside of a damask petal, the dye that washes out of madder root.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#cc6072
Original
#767572
Protanopia
#918a70
Deuteranopia
#dc5367
Tritanopia
#787878
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.83:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.48:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##CC6072
Display P3
Display P3
color(display-p3 0.7467 0.4004 0.4517)
P3 has subtle headroomOKLCH chroma 0.138

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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