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Rich Yaqut

#cc4a5d
Notes

Rich Yaqut (#CC4A5D) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (351°, 56%, 55%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#cc4a5d
RGB
rgb(204, 74, 93)
HSL
hsl(351, 56%, 55%)
HWB
hwb(351 29% 20%)
OKLCH
oklch(59.1% 0.165 15.1)
P3
color(display-p3 0.7411 0.3250 0.3733)
HSV
hsv(351, 64%, 80%)
LAB
lab(50.13% 52.83 17.11)
LCH
lch(50.13% 55.53 17.95)
CMYK
cmyk(0%, 64%, 54%, 20%)

Etymology

Rich
adjective

Old French riche, wealthy, abundant — applied to color since the medieval period for hues that read as plentiful in pigment. Rich red, rich brown: the implication is depth combined with saturation, a color that gives the eye more to absorb. Sits at the saturated mid-light corner of the engine's grid, slightly warmer than bold and deeper than vivid.

Yaqut
noun

The Arabic word for ruby and other precious red gems — used across Islamic poetry from al-Mutanabbi onward as a metaphor for the lips of beloved or the wine in a goblet. The color refers to a polished Yemeni red garnet or Burmese ruby: a saturated, slightly cool deep red with the gem's signature internal life. Cooler than ruby, deeper than crimson.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#cc4a5d
Original
#69665d
Protanopia
#8a815a
Deuteranopia
#de3352
Tritanopia
#676767
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
4.46:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
4.71:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##CC4A5D
Display P3
Display P3
color(display-p3 0.7411 0.3250 0.3733)
P3 has subtle headroomOKLCH chroma 0.165

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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