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Niveous Aniline

#cbc8e8
Notes

Niveous Aniline (#CBC8E8) is a soft blue with a pastel character. It reads calm and airy, with enough chroma to feel intentional rather than washed out. Its HSL profile (246°, 41%, 85%) places it in the balanced band at a light lightness. It works as a background wash, large-area fill, or soft illustration tone. Add a darker ink of the same hue when you need type over it. For a confident two-color system, pair it with its complementary yellow. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#cbc8e8
RGB
rgb(203, 200, 232)
HSL
hsl(246, 41%, 85%)
HWB
hwb(246 78% 9%)
OKLCH
oklch(84.5% 0.044 289.7)
P3
color(display-p3 0.7940 0.7847 0.8997)
HSV
hsv(246, 14%, 91%)
LAB
lab(81.75% 7.23 -15.43)
LCH
lch(81.75% 17.04 295.11)
CMYK
cmyk(13%, 14%, 0%, 9%)

Etymology

Niveous
adjective

Latin niveus, snowy — derived from nix (snow). As a color modifier, niveous implies a pale-and-snow-white-and-cool quality, the pale color of Alpine-and-Pyrenean fresh-fallen-snow undisturbed-and-pure snow-cover surface-finish. Sits at the pale-and-cool end of the grid, parallel to snowy and frosty in usage.

Aniline
noun

Synthetic-organic dye class first synthesized in 1856 by William Henry Perkin from coal-tar derivatives — named after the Portuguese anil (indigo) since Perkin's first mauveine was a synthetic stand-in for natural indigo's overdyed violets. Aniline color refers to a freshly aniline-mauveine-dyed Victorian silk: a saturated, slightly cool deep blue-violet with the silky luster of the first-ever industrial synthetic dye on Lyon silk.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#cbc8e8
Original
#c1cce9
Protanopia
#c1cbe7
Deuteranopia
#c5cdd2
Tritanopia
#cbcbcb
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.62:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
12.97:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##CBC8E8
Display P3
Display P3
color(display-p3 0.7940 0.7847 0.8997)
Inside sRGBOKLCH chroma 0.044

This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.

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