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Steady Surkh

#cb6a70
Notes

Steady Surkh (#CB6A70) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (356°, 48%, 61%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#cb6a70
RGB
rgb(203, 106, 112)
HSL
hsl(356, 48%, 61%)
HWB
hwb(356 42% 20%)
OKLCH
oklch(63.8% 0.123 17.3)
P3
color(display-p3 0.7463 0.4356 0.4469)
HSV
hsv(356, 48%, 80%)
LAB
lab(56.27% 38.90 14.28)
LCH
lch(56.27% 41.44 20.16)
CMYK
cmyk(0%, 48%, 45%, 20%)

Etymology

Steady
adjective

Old English stede, place, position — drifted to mean firm and unmoving. Used as a color modifier since the seventeenth century for hues that read as reliable rather than dramatic. Steady gray, steady green: moderate saturation combined with optical calmness. Sits in the crisp-bucket center alongside settled.

Surkh
noun

The Persian word for red in its most saturated, formal sense — used in Iranian poetry and miniature painting for the ribbons of court banners, the robes of warriors, and the high-saturation reds of Safavid tile. The color refers to a surkh-dyed Persian carpet: a saturated, slightly cool deep red with the matte finish of plant-dye-on-wool. Deeper than crimson, warmer than burgundy.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#cb6a70
Original
#7e7b70
Protanopia
#968e6e
Deuteranopia
#db5e6d
Tritanopia
#7f7f7f
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.60:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.83:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##CB6A70
Display P3
Display P3
color(display-p3 0.7463 0.4356 0.4469)
P3 has subtle headroomOKLCH chroma 0.123

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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