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Royal Mass Rose

#cb5f78
Notes

Royal Mass Rose (#CB5F78) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (346°, 51%, 58%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#cb5f78
RGB
rgb(203, 95, 120)
HSL
hsl(346, 51%, 58%)
HWB
hwb(346 37% 20%)
OKLCH
oklch(62.4% 0.139 7.4)
P3
color(display-p3 0.7429 0.3965 0.4725)
HSV
hsv(346, 53%, 80%)
LAB
lab(54.28% 45.31 6.79)
LCH
lch(54.28% 45.81 8.53)
CMYK
cmyk(0%, 53%, 41%, 20%)

Etymology

Royal
noun

The blue of European royal court dress and regalia from the late seventeenth century forward — the color of British peers' robes, French royal sashes, the lining of the crown-jewel cases. The color refers to a saturated, slightly violet-shifted blue with the matte finish of velvet or melton wool dyed to maximum intensity: deeper than cornflower, warmer than ultramarine, with the heraldic weight of a color reserved for monarchs and the official Crown.

Mass
modifier

Latin missa, Mass-of-the-Eucharist. As a color modifier, mass implies a Eucharistic-and-liturgical-feast quality, the visual register of Roman-Catholic-and-Anglican-Mass Eucharistic-and-liturgical-feast altar-and-vestment-and-incense liturgical-Mass surfaces under Mass-and-Eucharistic-feast altar-candle-and-incense light. Sits at the modifier-and-time end of the grid, parallel to vigil and vesper in usage.

Rose
noun

The Latin rosa, the Greek rhodon, the Persian gul — every European language has a different name for the same flower and the same color. Rose covers the spectrum from blush to fuchsia depending on the cultivar, but in pigment shorthand it means a cool, slightly bluish red — the inside of a damask petal, the dye that washes out of madder root.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#cb5f78
Original
#737579
Protanopia
#8f8a76
Deuteranopia
#db5368
Tritanopia
#787878
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.86:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.45:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##CB5F78
Display P3
Display P3
color(display-p3 0.7429 0.3965 0.4725)
P3 has subtle headroomOKLCH chroma 0.139

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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