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Brimming Edomurasaki

#cb40d4
Notes

Brimming Edomurasaki (#CB40D4) is a true violet with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (296°, 63%, 54%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#cb40d4
RGB
rgb(203, 64, 212)
HSL
hsl(296, 63%, 54%)
HWB
hwb(296 25% 17%)
OKLCH
oklch(62.7% 0.238 325.3)
P3
color(display-p3 0.7355 0.2921 0.8056)
HSV
hsv(296, 70%, 83%)
LAB
lab(53.08% 71.70 -48.72)
LCH
lch(53.08% 86.68 325.80)
CMYK
cmyk(4%, 70%, 0%, 17%)

Etymology

Brimming
adjective

Old English brymme, brim / edge — present-participle of brim. As a color modifier, brimming implies a saturated-and-overflowing quality where the hue spills past the edge of its visual container with rich pigmentation. Sits at the bold-and-saturated end of the grid, parallel to replete and abundant.

Edomurasaki
noun

Edo-period purple (江戸紫) — the deep blue-tinted purple popularized by Edo-period (1603–1867) Tokyo townsfolk and kabuki actors, distinguished from the warmer Kyoto kyō-murasaki. Edomurasaki color refers to a kabuki actor's Sukeroku role costume: a saturated, slightly cool deep violet with the silk luster of multi-bath gromwell-root dye on lined silk crepe. Cooler than Kyomurasaki.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#cb40d4
Original
#1a74d8
Protanopia
#5f85d0
Deuteranopia
#d05886
Tritanopia
#686868
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
4.02:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.22:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##CB40D4
Display P3
Display P3
color(display-p3 0.7355 0.2921 0.8056)
P3 has visible headroomOKLCH chroma 0.238

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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