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Opulent Pimento Rose

#cb3f57
Notes

Opulent Pimento Rose (#CB3F57) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (350°, 57%, 52%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#cb3f57
RGB
rgb(203, 63, 87)
HSL
hsl(350, 57%, 52%)
HWB
hwb(350 25% 20%)
OKLCH
oklch(57.5% 0.176 14.8)
P3
color(display-p3 0.7354 0.2889 0.3502)
HSV
hsv(350, 69%, 80%)
LAB
lab(48.19% 56.53 18.08)
LCH
lch(48.19% 59.35 17.74)
CMYK
cmyk(0%, 69%, 57%, 20%)

Etymology

Opulent
adjective

Latin opulentus, rich / wealthy — derived from ops (wealth). As a color modifier, opulent implies a saturated-and-luxurious quality, the deep-rich color of Belle-Époque and Gilded-Age interior-decoration silk-and-velvet textiles. Sits at the bold-and-saturated end of the grid, parallel to lavish and sumptuous.

Pimento
modifier

Spanish pimiento, sweet-red-Iberian-capsicum. As a color modifier, pimento implies a sweet-red-Iberian-capsicum-and-allspice-berry quality, the visual register of Spanish-and-Jamaican-pimento hand-sweet-red-Iberian-capsicum-and-allspice-berry Spanish-and-Jamaican-pimento-and-allspice-berry pimento-and-sweet-red-Iberian-capsicum surfaces under Spanish-and-Jamaican-pimento-and-allspice-berry Iberian-and-Jamaican-Blue-Mountain Iberian-and-Jamaican-spice-light. Sits at the modifier-and-flavor end of the grid, parallel to chili and pepper in usage.

Rose
noun

The Latin rosa, the Greek rhodon, the Persian gul — every European language has a different name for the same flower and the same color. Rose covers the spectrum from blush to fuchsia depending on the cultivar, but in pigment shorthand it means a cool, slightly bluish red — the inside of a damask petal, the dye that washes out of madder root.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#cb3f57
Original
#636057
Protanopia
#877d53
Deuteranopia
#de1f49
Tritanopia
#5e5e5e
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
4.79:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.39:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##CB3F57
Display P3
Display P3
color(display-p3 0.7354 0.2889 0.3502)
P3 has subtle headroomOKLCH chroma 0.176

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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