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Sumptuous Apse Fuchsia

#cb35d6
Notes

Sumptuous Apse Fuchsia (#CB35D6) is a true violet with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (296°, 66%, 52%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#cb35d6
RGB
rgb(203, 53, 214)
HSL
hsl(296, 66%, 52%)
HWB
hwb(296 21% 16%)
OKLCH
oklch(61.9% 0.251 325.0)
P3
color(display-p3 0.7337 0.2583 0.8124)
HSV
hsv(296, 75%, 84%)
LAB
lab(51.95% 75.58 -51.66)
LCH
lch(51.95% 91.55 325.65)
CMYK
cmyk(5%, 75%, 0%, 16%)

Etymology

Sumptuous
adjective

Latin sūmptuōsus, expensive — derived from sūmptus (expense). As a color modifier, sumptuous implies a saturated-and-rich-and-luxurious quality, the deep-rich color of Burgundy-and-Champagne-Court late-medieval silk-and-velvet livery in the Très-Riches-Heures manuscript tradition. Sits at the bold-and-saturated end of the grid, parallel to opulent and lavish.

Apse
modifier

Latin absis, vault / arch-recess. As a color modifier, apse implies a semicircular-vaulted-altar-end quality, the visual register of Romanesque-and-Byzantine-cathedral hand-laid mosaic-and-fresco-decorated semicircular altar-end vaulted-apse architectural surfaces under candle-and-incense apse light. Sits at the modifier-and-architecture end of the grid, parallel to nave and aisle in usage.

Fuchsia
noun

The genus Fuchsia — South American shrubs named in 1703 for the German botanist Leonhart Fuchs. The color refers to the calyx and tube of a vibrant Fuchsia magellanica hybrid: a saturated, slightly cool deep pink-magenta with the satiny finish of a tubular hummingbird-pollinated flower. Brighter than rose, warmer than orchid, with the bedding-and-basket weight of a plant genus whose flowers gave English the most attention-demanding pink in the spectrum.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#cb35d6
Original
#0070da
Protanopia
#5882d2
Deuteranopia
#cf5384
Tritanopia
#616161
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
4.18:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.02:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##CB35D6
Display P3
Display P3
color(display-p3 0.7337 0.2583 0.8124)
P3 has visible headroomOKLCH chroma 0.251

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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