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Knightly Mace Crimson

#ca5b51
Notes

Knightly Mace Crimson (#CA5B51) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (5°, 53%, 55%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#ca5b51
RGB
rgb(202, 91, 81)
HSL
hsl(5, 53%, 55%)
HWB
hwb(5 32% 21%)
OKLCH
oklch(60.7% 0.144 27.3)
P3
color(display-p3 0.7382 0.3822 0.3364)
HSV
hsv(5, 60%, 79%)
LAB
lab(52.55% 43.39 27.33)
LCH
lch(52.55% 51.28 32.21)
CMYK
cmyk(0%, 55%, 60%, 21%)

Etymology

Knightly
adjective

Old English cniht, young man / knight — adjectival suffix -ly. As a color modifier, knightly implies a saturated-and-chivalrous-and-medieval quality, the deep-rich color of medieval-English-and-French knight-and-squire armorial-bearings-and-livery tradition. Sits at the bold-and-chivalrous end of the grid, parallel to gallant and cavalier.

Mace
modifier

Latin macir, outer-aril-of-nutmeg. As a color modifier, mace implies a Banda-Islands-aril-and-orange-red-spice quality, the visual register of Banda-Islands-and-Spice-Islands-mace hand-Banda-Islands-aril-and-orange-red-spice Banda-Islands-and-Spice-Islands-mace-and-Maluku-aril mace-and-Banda-Islands-aril surfaces under Banda-Islands-and-Spice-Islands-mace-and-Maluku-aril Banda-Islands-and-Run-and-Maluku Spice-Islands-aril-light. Sits at the modifier-and-flavor end of the grid, parallel to nutmeg and clove in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#ca5b51
Original
#776f50
Protanopia
#92864f
Deuteranopia
#dc4759
Tritanopia
#727272
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
4.10:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.13:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##CA5B51
Display P3
Display P3
color(display-p3 0.7382 0.3822 0.3364)
P3 has subtle headroomOKLCH chroma 0.144

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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