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Victorious Meek Rose

#ca5977
Notes

Victorious Meek Rose (#CA5977) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (344°, 52%, 57%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#ca5977
RGB
rgb(202, 89, 119)
HSL
hsl(344, 52%, 57%)
HWB
hwb(344 35% 21%)
OKLCH
oklch(61.3% 0.146 5.8)
P3
color(display-p3 0.7377 0.3753 0.4676)
HSV
hsv(344, 56%, 79%)
LAB
lab(52.99% 47.77 5.52)
LCH
lch(52.99% 48.09 6.59)
CMYK
cmyk(0%, 56%, 41%, 21%)

Etymology

Victorious
adjective

Latin victōriōsus, of victory — derived from victor (winner). As a color modifier, victorious implies a saturated-and-celebratory-and-conquering quality, the deep-rich color of Roman-Imperial victory-procession purpura-dyed paludamentum cloak. Sits at the bold-and-celebratory end of the grid, parallel to triumphant and conquering.

Meek
modifier

Old Norse mjúkr, soft-and-gentle. As a color modifier, meek implies a hushed-and-self-effacing-and-quiet quality, the visual register of Beatitude-and-Quaker-meeting-meek hand-bowed-and-self-effacing-and-quiet Beatitude-and-Quaker-meeting-and-monastic-cloister meek-and-bowed-and-quieted surfaces under Beatitude-and-Quaker-meeting-and-monastic-cloister hush-and-bowed-vigil candle-lit-light. Sits at the modifier-and-mood end of the grid, parallel to coy and mute in usage.

Rose
noun

The Latin rosa, the Greek rhodon, the Persian gul — every European language has a different name for the same flower and the same color. Rose covers the spectrum from blush to fuchsia depending on the cultivar, but in pigment shorthand it means a cool, slightly bluish red — the inside of a damask petal, the dye that washes out of madder root.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#ca5977
Original
#6e7178
Protanopia
#8c8774
Deuteranopia
#da4d64
Tritanopia
#737373
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
4.03:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.21:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##CA5977
Display P3
Display P3
color(display-p3 0.7377 0.3753 0.4676)
P3 has subtle headroomOKLCH chroma 0.146

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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