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True Kilt Carnelian

#c97b76
Notes

True Kilt Carnelian (#C97B76) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (4°, 43%, 63%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#c97b76
RGB
rgb(201, 123, 118)
HSL
hsl(4, 43%, 63%)
HWB
hwb(4 46% 21%)
OKLCH
oklch(66.5% 0.098 24.0)
P3
color(display-p3 0.7455 0.4966 0.4723)
HSV
hsv(4, 41%, 79%)
LAB
lab(59.79% 29.77 15.67)
LCH
lch(59.79% 33.64 27.75)
CMYK
cmyk(0%, 39%, 41%, 21%)

Etymology

True
adjective

Old English trēowe, faithful — used as a color modifier since the seventeenth century for hues that read as the canonical version of their family. True red, true blue: the saturation is full, the hue is neither shifted nor adulterated. Sits at the center of the bold and crisp buckets, marking the unequivocal middle of any chromatic family.

Kilt
modifier

Scots kilt, Highland-pleated-skirt. As a color modifier, kilt implies a Highland-tartan-and-pleated-skirt quality, the visual register of Highland-tartan-and-Black-Watch-kilt hand-Highland-tartan-and-pleated-skirt Highland-tartan-and-Black-Watch-kilt-and-clan-Macleod kilt-and-Highland-tartan surfaces under Highland-tartan-and-Black-Watch-kilt-and-clan-Macleod Highland-clan-and-Edinburgh-tartan-mill tartan-and-pleated-light. Sits at the modifier-and-textile end of the grid, parallel to sash and tabard in usage.

Carnelian
noun

A translucent variety of chalcedony tinted by trace iron, carnelian was the seal stone of the ancient world — Roman intaglios, Indus Valley etched beads, the breastplate of the Israelite high priest. The name comes from the Latin carneolus, of flesh. The color is exactly that: a warm, low-saturation red that reads as both stone and skin, more orange than crimson, more body than blood.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#c97b76
Original
#8c8775
Protanopia
#9e9675
Deuteranopia
#d8717a
Tritanopia
#8b8b8b
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.19:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.58:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##C97B76
Display P3
Display P3
color(display-p3 0.7455 0.4966 0.4723)
P3 has subtle headroomOKLCH chroma 0.098

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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