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Centered Robe Rose

#c95871
Notes

Centered Robe Rose (#C95871) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (347°, 51%, 57%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#c95871
RGB
rgb(201, 88, 113)
HSL
hsl(347, 51%, 57%)
HWB
hwb(347 35% 21%)
OKLCH
oklch(60.9% 0.145 8.7)
P3
color(display-p3 0.7338 0.3715 0.4460)
HSV
hsv(347, 56%, 79%)
LAB
lab(52.50% 47.28 8.37)
LCH
lch(52.50% 48.01 10.04)
CMYK
cmyk(0%, 56%, 44%, 21%)

Etymology

Centered
adjective

Latin centrum, center — past-participle of center. As a color modifier, centered implies a saturated-and-grounded-and-balanced quality where the hue occupies the visual center of its palette without drift. Sits at the bold-and-balanced end of the grid, parallel to poised and grounded.

Robe
modifier

Old French robe, long-flowing-garment. As a color modifier, robe implies a long-flowing-and-academic-and-judicial quality, the visual register of Oxford-Cambridge-academic-and-judicial-robe hand-long-flowing-and-academic-and-judicial Oxford-Cambridge-academic-and-judicial-robe-and-monastic-habit robe-and-long-flowing-and-academic surfaces under Oxford-Cambridge-academic-and-judicial-robe-and-monastic-habit Senate-and-Inns-of-Court-and-cathedral-cloister Trinity-Senior-Common-Room-light. Sits at the modifier-and-textile end of the grid, parallel to gown and cope in usage.

Rose
noun

The Latin rosa, the Greek rhodon, the Persian gul — every European language has a different name for the same flower and the same color. Rose covers the spectrum from blush to fuchsia depending on the cultivar, but in pigment shorthand it means a cool, slightly bluish red — the inside of a damask petal, the dye that washes out of madder root.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#c95871
Original
#6f6f72
Protanopia
#8c866e
Deuteranopia
#d94a61
Tritanopia
#727272
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
4.10:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.12:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##C95871
Display P3
Display P3
color(display-p3 0.7338 0.3715 0.4460)
P3 has subtle headroomOKLCH chroma 0.145

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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