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Resolute Meteor Crimson

#c83c48
Notes

Resolute Meteor Crimson (#C83C48) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (355°, 56%, 51%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#c83c48
RGB
rgb(200, 60, 72)
HSL
hsl(355, 56%, 51%)
HWB
hwb(355 24% 22%)
OKLCH
oklch(56.4% 0.176 20.2)
P3
color(display-p3 0.7241 0.2781 0.2978)
HSV
hsv(355, 70%, 78%)
LAB
lab(46.95% 55.74 25.43)
LCH
lch(46.95% 61.27 24.52)
CMYK
cmyk(0%, 70%, 64%, 22%)

Etymology

Resolute
adjective

From the Latin resolutus, unwavering — used as a color modifier in literary contexts for hues that read as committed and unmoving. Resolute blue, resolute green: the saturation is full, the hue holds its position without shifting under different light. Sits in the bold-bucket center alongside strong and true, with slightly more focus on stability than presence.

Meteor
modifier

Greek μετέωρος, suspended-in-air. As a color modifier, meteor implies a streaking-and-burning-and-shooting-star quality, the visual register of Perseids-and-Leonids-meteor hand-streaking-and-burning-and-shooting-star Perseids-and-Leonids-and-Geminids-meteor meteor-and-streaking-and-burning-and-shooting-star surfaces under Perseids-and-Leonids-and-Geminids-meteor August-and-November-and-December-night-sky shooting-star-light. Sits at the modifier-and-cosmic end of the grid, parallel to comet and nova in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#c83c48
Original
#625c47
Protanopia
#857a44
Deuteranopia
#db1342
Tritanopia
#5b5b5b
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.01:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.20:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##C83C48
Display P3
Display P3
color(display-p3 0.7241 0.2781 0.2978)
P3 has subtle headroomOKLCH chroma 0.176

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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