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Cavalier Gaul Rose

#c64a50
Notes

Cavalier Gaul Rose (#C64A50) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (357°, 52%, 53%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#c64a50
RGB
rgb(198, 74, 80)
HSL
hsl(357, 52%, 53%)
HWB
hwb(357 29% 22%)
OKLCH
oklch(57.8% 0.158 20.7)
P3
color(display-p3 0.7197 0.3226 0.3276)
HSV
hsv(357, 63%, 78%)
LAB
lab(48.87% 49.85 23.04)
LCH
lch(48.87% 54.91 24.80)
CMYK
cmyk(0%, 63%, 60%, 22%)

Etymology

Cavalier
adjective

Italian cavaliere, horseman / knight via Latin caballārius. As a color modifier, cavalier implies a saturated-and-chivalrous-and-aristocratic quality, the deep-rich color of English-Civil-War royalist Cavalier military-faction velvet-and-lace-and-feathered-hat livery. Sits at the bold-and-chivalrous end of the grid, parallel to gallant and knightly.

Gaul
modifier

Latin Gallia, Gaul. As a color modifier, gaul implies a pre-Roman-French-Celtic quality, the visual register of Gallia-Belgica-and-Gallia-Aquitania pre-Roman-period hand-carved bronze-and-iron Celtic-Gaulish chieftain-and-druid surfaces under pre-Roman Gallia-Aquitania-and-Gallia-Belgica Celtic-tribal forest light. Sits at the modifier-and-cultural end of the grid, parallel to celtic and roman in usage.

Rose
noun

The Latin rosa, the Greek rhodon, the Persian gul — every European language has a different name for the same flower and the same color. Rose covers the spectrum from blush to fuchsia depending on the cultivar, but in pigment shorthand it means a cool, slightly bluish red — the inside of a damask petal, the dye that washes out of madder root.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#c64a50
Original
#69644f
Protanopia
#887e4d
Deuteranopia
#d8314d
Tritanopia
#656565
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
4.67:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.50:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##C64A50
Display P3
Display P3
color(display-p3 0.7197 0.3226 0.3276)
P3 has subtle headroomOKLCH chroma 0.158

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

Related Colors

Canvas