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Twinkling Edomurasaki

#c55fe1
Notes

Twinkling Edomurasaki (#C55FE1) is a true violet with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (287°, 68%, 63%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#c55fe1
RGB
rgb(197, 95, 225)
HSL
hsl(287, 68%, 63%)
HWB
hwb(287 37% 12%)
OKLCH
oklch(66.0% 0.206 318.5)
P3
color(display-p3 0.7217 0.3947 0.8561)
HSV
hsv(287, 58%, 88%)
LAB
lab(57.55% 59.85 -49.02)
LCH
lch(57.55% 77.37 320.68)
CMYK
cmyk(12%, 58%, 0%, 12%)

Etymology

Twinkling
adjective

Old English twinclian, to wink rapidly — present-participle of twinkle. As a color modifier, twinkling implies a saturated-and-rapid-flicker-reflective quality, the bright color of Christmas-fairy-light and night-sky-star atmospheric-scintillation. Sits at the bright-and-reflective end of the grid, parallel to sparkling and glittering in usage.

Edomurasaki
noun

Edo-period purple (江戸紫) — the deep blue-tinted purple popularized by Edo-period (1603–1867) Tokyo townsfolk and kabuki actors, distinguished from the warmer Kyoto kyō-murasaki. Edomurasaki color refers to a kabuki actor's Sukeroku role costume: a saturated, slightly cool deep violet with the silk luster of multi-bath gromwell-root dye on lined silk crepe. Cooler than Kyomurasaki.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#c55fe1
Original
#4083e5
Protanopia
#668ede
Deuteranopia
#c57497
Tritanopia
#7e7e7e
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.44:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.10:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##C55FE1
Display P3
Display P3
color(display-p3 0.7217 0.3947 0.8561)
P3 has visible headroomOKLCH chroma 0.206

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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