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Noble Quad Rose

#c55a75
Notes

Noble Quad Rose (#C55A75) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (345°, 48%, 56%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#c55a75
RGB
rgb(197, 90, 117)
HSL
hsl(345, 48%, 56%)
HWB
hwb(345 35% 23%)
OKLCH
oklch(60.7% 0.139 6.3)
P3
color(display-p3 0.7202 0.3771 0.4601)
HSV
hsv(345, 54%, 77%)
LAB
lab(52.36% 45.36 5.71)
LCH
lch(52.36% 45.72 7.18)
CMYK
cmyk(0%, 54%, 41%, 23%)

Etymology

Noble
adjective

Latin nōbilis, well-known / illustrious — sharing root with gnōscere (to know). As a color modifier, noble implies a saturated-and-dignified-and-aristocratic quality, the deep-rich color of pre-modern European noble-class hereditary-aristocratic livery-and-armorial bearings. Sits at the bold-and-aristocratic end of the grid, parallel to aristocratic and highborn in usage.

Quad
modifier

Latin quadrum, square. As a color modifier, quad implies an Oxford-and-Cambridge-college-quadrangle quality, the visual register of Oxford-and-Cambridge-college-quad hand-built four-sided-college-courtyard quad-and-cloister-and-lawn architectural surfaces under Oxford-and-Cambridge college-quadrangle academic light. Sits at the modifier-and-architecture end of the grid, parallel to court and atrium in usage.

Rose
noun

The Latin rosa, the Greek rhodon, the Persian gul — every European language has a different name for the same flower and the same color. Rose covers the spectrum from blush to fuchsia depending on the cultivar, but in pigment shorthand it means a cool, slightly bluish red — the inside of a damask petal, the dye that washes out of madder root.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#c55a75
Original
#6e7076
Protanopia
#8a8573
Deuteranopia
#d44f64
Tritanopia
#737373
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
4.12:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.09:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##C55A75
Display P3
Display P3
color(display-p3 0.7202 0.3771 0.4601)
P3 has subtle headroomOKLCH chroma 0.139

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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