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Saturated Surkh

#c54991
Notes

Saturated Surkh (#C54991) is a true magenta with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (325°, 52%, 53%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#c54991
RGB
rgb(197, 73, 145)
HSL
hsl(325, 52%, 53%)
HWB
hwb(325 29% 23%)
OKLCH
oklch(59.5% 0.175 347.8)
P3
color(display-p3 0.7160 0.3189 0.5584)
HSV
hsv(325, 63%, 77%)
LAB
lab(50.31% 56.55 -14.02)
LCH
lch(50.31% 58.27 346.08)
CMYK
cmyk(0%, 63%, 26%, 23%)

Etymology

Saturated
adjective

From the Latin saturatus, past participle of saturare, to fill. A technical color term in modern usage — saturation is one of the three axes of HSL (with hue and lightness). As a modifier, saturated implies that the hue is at or near its maximum chromatic intensity. Sits at the bold-and-bright top of the grid.

Surkh
noun

The Persian word for red in its most saturated, formal sense — used in Iranian poetry and miniature painting for the ribbons of court banners, the robes of warriors, and the high-saturation reds of Safavid tile. The color refers to a surkh-dyed Persian carpet: a saturated, slightly cool deep red with the matte finish of plant-dye-on-wool. Deeper than crimson, warmer than burgundy.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#c54991
Original
#586a93
Protanopia
#7b808e
Deuteranopia
#d24567
Tritanopia
#696969
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
4.43:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
4.74:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##C54991
Display P3
Display P3
color(display-p3 0.7160 0.3189 0.5584)
P3 has subtle headroomOKLCH chroma 0.175

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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