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Anchored Court Rose

#c51d47
Notes

Anchored Court Rose (#C51D47) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (345°, 74%, 44%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#c51d47
RGB
rgb(197, 29, 71)
HSL
hsl(345, 74%, 44%)
HWB
hwb(345 11% 23%)
OKLCH
oklch(53.4% 0.198 14.7)
P3
color(display-p3 0.7093 0.1911 0.2888)
HSV
hsv(345, 85%, 77%)
LAB
lab(43.07% 64.03 20.93)
LCH
lch(43.07% 67.36 18.10)
CMYK
cmyk(0%, 85%, 64%, 23%)

Etymology

Anchored
adjective

The past participle of anchor, used since the late nineteenth century as a metaphor for secured in place. As a color word, anchored implies a deep saturated tone that grounds a palette — the dark blues, deep greens, and browns that hold a composition together. Sits in the bold-and-deep corner of the grid alongside solid.

Court
modifier

Old French cort, enclosed-yard. As a color modifier, court implies an enclosed-courtyard quality, the visual register of Inn-of-Court-and-Chinese-courtyard hand-built stone-and-tile-paved enclosed-and-formal courtyard-architecture surfaces under London-Inn-of-Court-and-Chinese-courtyard enclosed-formal architecture light. Sits at the modifier-and-place end of the grid, parallel to quad and yard in usage.

Rose
noun

The Latin rosa, the Greek rhodon, the Persian gul — every European language has a different name for the same flower and the same color. Rose covers the spectrum from blush to fuchsia depending on the cultivar, but in pigment shorthand it means a cool, slightly bluish red — the inside of a damask petal, the dye that washes out of madder root.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#c51d47
Original
#525047
Protanopia
#7c7242
Deuteranopia
#d80031
Tritanopia
#444444
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.77:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.64:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##C51D47
Display P3
Display P3
color(display-p3 0.7093 0.1911 0.2888)
P3 has visible headroomOKLCH chroma 0.198

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

Related Colors

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