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Rugged Amor Rose

#c50340
Notes

Rugged Amor Rose (#C50340) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (341°, 97%, 39%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#c50340
RGB
rgb(197, 3, 64)
HSL
hsl(341, 97%, 39%)
HWB
hwb(341 1% 23%)
OKLCH
oklch(52.4% 0.208 15.5)
P3
color(display-p3 0.7079 0.1492 0.2631)
HSV
hsv(341, 98%, 77%)
LAB
lab(41.70% 67.25 23.54)
LCH
lch(41.70% 71.25 19.29)
CMYK
cmyk(0%, 98%, 68%, 23%)

Etymology

Rugged
adjective

Old Norse rugga, rough / coarse — adjectival suffix -ed. As a color modifier, rugged implies a saturated-and-rough-and-weathered quality, the deep-rich color of Scottish-Highlands-and-Norwegian-fjord outdoor-and-mountain landscape. Sits at the bold-and-weathered end of the grid, parallel to tough and sinewy in usage.

Amor
modifier

Latin amor, love. As a color modifier, amor implies a Latin-love-and-amor-vincit-omnia quality, the visual register of Vergilian-amor-and-Catullus-amor hand-Latin-love-and-amor-vincit-omnia Vergilian-amor-and-Catullus-amor-and-Ovid-Ars-Amatoria amor-and-Latin-love surfaces under Vergilian-amor-and-Catullus-amor-and-Ovid-Ars-Amatoria Augustan-Rome-and-Renaissance-Italy Roman-love-light. Sits at the modifier-and-Latin end of the grid, parallel to vita and via in usage.

Rose
noun

The Latin rosa, the Greek rhodon, the Persian gul — every European language has a different name for the same flower and the same color. Rose covers the spectrum from blush to fuchsia depending on the cultivar, but in pigment shorthand it means a cool, slightly bluish red — the inside of a damask petal, the dye that washes out of madder root.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#c50340
Original
#4e4b40
Protanopia
#7a6f3b
Deuteranopia
#d90025
Tritanopia
#313131
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.07:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.46:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##C50340
Display P3
Display P3
color(display-p3 0.7079 0.1492 0.2631)
P3 has visible headroomOKLCH chroma 0.208

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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