Earnest Sleek Hibiscus

Old English eornost, seriousness, zeal. Used as a color modifier since the nineteenth century for hues that read as committed but unshowy — the working blues of denim, the deep greens of Quaker meetinghouses. Sits in the bold-and-quiet corner of the grid, slightly less luminous than resolute and slightly less institutional than imperial.

Middle Dutch sleeck, smooth. As a color modifier, sleek implies a smooth-and-streamlined quality, the visual register of Mid-Century-Modern-and-Streamline-Moderne-sleek hand-streamlined-and-aerodynamic-and-polished aluminum-and-chrome-and-bakelite Mid-Century-Modern-and-Streamline-Moderne sleek-and-streamlined surfaces under Mid-Century-Modern-and-Streamline-Moderne sleek-and-polished light. Sits at the modifier-and-texture end of the grid, parallel to gloss and shine in usage.

Hibiscus rosa-sinensis — the showy mallow of Pacific gardens, the Hawaiian state flower, the source of the deep red sorrel tea sold across West Africa as bissap. The color refers to a fully open hibiscus petal at midday: a hot, slightly magenta red with the velvet texture of a single-day bloom. By evening the same flower has wilted; by morning it's gone.