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Buttressed Cay Crimson

#c40e55
Notes

Buttressed Cay Crimson (#C40E55) is a true magenta with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (337°, 87%, 41%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#c40e55
RGB
rgb(196, 14, 85)
HSL
hsl(337, 87%, 41%)
HWB
hwb(337 5% 23%)
OKLCH
oklch(53.0% 0.206 7.8)
P3
color(display-p3 0.7048 0.1624 0.3362)
HSV
hsv(337, 93%, 77%)
LAB
lab(42.32% 67.10 11.07)
LCH
lch(42.32% 68.01 9.37)
CMYK
cmyk(0%, 93%, 57%, 23%)

Etymology

Buttressed
adjective

Old French bouterez, thrusting-mass — past-participle of buttress, derived from bouter (to thrust). As a color modifier, buttressed implies a saturated-and-architecturally-supported quality, the deep-rich color of Gothic-Cathedral flying-buttress-and-rib-vault stone-architecture. Sits at the bold-and-fortified end of the grid, parallel to fortified and reinforced.

Cay
modifier

Spanish cayo via Taíno cayo, low-island. As a color modifier, cay implies a tropical-coral-and-sand-spit quality, the visual register of Caribbean-and-Bahamian small low-tide reef-and-sand-spit sun-bleached-coral coastal surfaces in turquoise-water shallow-tropical light. Sits at the modifier-and-place end of the grid, parallel to isle and spit in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#c40e55
Original
#4b4e56
Protanopia
#777051
Deuteranopia
#d70033
Tritanopia
#3a3a3a
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.93:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.54:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##C40E55
Display P3
Display P3
color(display-p3 0.7048 0.1624 0.3362)
P3 has visible headroomOKLCH chroma 0.206

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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